Dear World: Canada will be closed from 12-3pm (PST) Sunday afternoon.

We're all going to church! 😉

Saturday Snap – Archival Footage of "Sask Sampler Book Archive Launch"

I recently bought a gizmo to convert old VHS tapes and other analog signals to a digital format.  As I was getting it set-up for the first time, I picked a couple clips I had from around ten years ago – one where I'm featured fairly prominently and one where you get to see my backside!  

Here's one from when I worked for the Saskatchewan Publishers Group circa 2000.  Two interesting things to note – even back then, I was talking about the information economy and the role of books in it.  And the place where we held the launch?  The Dunlop Art Gallery at the Regina Public Library!  (Oh, and Shea makes a cameo as does one of my best hairdos of all time!) 


And here's
a clip from a press conference held by the Amnesty International G8 Observer Team during the G8 Summit which was held in Kananaskis Alberta in 2002.  My only appearance is a brief shot of me with my back to the camera standing between two women, one in a white shirt and one in a green shirt, around ten seconds in.  But the guy who does most of the talking is someone I got to sneak into a protest site with along with a carload of reporters from the Independent Media Center.  Good times! 

FTRW 2010 – Friday Fun Link – "Straight Outta Compton" Edited to *Only* The Profanity

For how demonized some albums are, when you cut it down to just the “bad” parts, it really puts things in perspective.  19 seconds.  42 seconds.  29 seconds.  0 seconds.  10 seconds.

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FTRW 2010 – Running Back To Saskatoon

I thought somebody (the CLA Committee on Intellectual Freedom?) released an annual report on book challenges during the past year.  I wasn't able to find it but the official site for Freedom to Read does have a list highlighting 100 different books that have been challenged in the past decade. 

One entry in particular caught my attention:

Pritchard, Jimmy. The New York City Bartender’s Joke Book.
2004—A library patron complained to the Saskatoon Public Library about this book- length collection of jokes that the author had heard while working in bars.

Cause of objection—The complainant said that the jokes were in poor taste and promoted negative attitudes toward women and ethnic minorities.


Update—The library’s Challenged Materials Committee later agreed that the book was “racist, sexist, and demeaning to women and citizens of many countries.” The book also failed to meet the library’s collection development standards. The committee withdrew the book from circulation.


Although this is from six years ago, seeing that a library in my home province would remove a book from their collection really bugs me.  Why?  Well, here's a dirty little secret – the book loving, BA – English librarian you see before you didn't always read Hemingway and Faulkner (who am I kidding?  I still don't – just for a few years there as an undergrad so I'd look smart in coffee shops!)

Like many teenaged boys, there was a time in my young life when a lot of my pleasure reading consisted of things that weren't very literary in nature – the latest Calvin & Hobbes cartoon collection.  Rock star biographies.  And yes, occasionally, I would take out a book that would be the 1985 equivalent of “The New York Bartender's Joke Book”. 

But you know what?  That's part of the reason I would go to the library even at a time when it wasn't “cool”.  I don't remember saying this exactly but if a friend called me a nerd for going to the library, I could show them the joke book.  “Really?  You got that?  At the library?  Lemme see that!”

After all, isn't this one of the single biggest hand-wringers in public libraries today?  “How do we get teenaged boys to come to the library?”  Offensive joke books aren't the full answer.  But they're part of it if you're truly committed to serving *all* of your users – which most public libraries claim to be.
 
Even though I read such a “harmful” book in my formative years, I'm glad no one at Regina Public Library or Indian Head Public Library had to decide whether this book was appropriate for me or not and that decision was mine to make alone. 
I
like to think that I don't have negative attitudes towards women or
minorities because I read books like this, just like I don't want to start a war because I read “Rambo: First Blood”.  (I will cop to having bad taste on occasion – that's nothing to do with my reading choices though!)


The other reason this bugs me is that it hits a lot closer to home than it did, even a few years ago.  Under the new province-wide SILS consortium, every library system has worked very hard to come up with a common set of policies.  Each system
still retains the right to develop its own internal policies in regards
to things like collection development, intellectual freedom and so on so the common policies are
mostly in regards to how items circulate, fine tables, patron registration and things like that. 

So if it doesn't directly affect me at RPL or in my day-to-day work, why get so worked up?  Well, for one thing, there's always a danger that this could be the start of the proverbial slippery slope.  The next time a book gets challenged in Saskatoon, it'll be harder for someone there to say “no”.  And it might be harder in Regina too – especially if we're partners in SILS.  “My sister, Alice Tinhat Jones, got a joke book with the 'n' word in it removed from Saskatoon Public Library.  I'd like this one removed as well.”  Uhm, madame, that's “The Adventures of Huckleberry Finn.  “I don't care.  You're partners with SPL aren't you?”)

To be frank, I also don't like that this decision has both tinges of both imposed morality AND political correctness – both extremes of the censorship spectrum.  As I point out in one of my all-time favourite posts, “What Freedom To Read Is *Not*“:

6. 
Freedom to Read is not a “left” or a “right” issue (I think people
often believe that only people holding the opposite opinion of their
own want to ban books.)  Challenges come from both ends of the
political spectrum and are just as likely to come on grounds of
political correctness from someone on the left as on they are on
morality grounds from someone on the right.

FTRW 2010 – ChatRoulette

It's not book related but nothing says Freedom of Expression like the newest buzz site of the Internet, ChatRoulette.   The site is exactly what it says – you hit the site and you see a chat window for yourself and one for a random person somewhere in the world.  As soon as you get bored (which is usually fairly quickly – basically as soon as you see the other person's face…or they see yours), you click a button and see someone else.  Lather.  Rinse.  Repeat.

(I did it just now and got hung up on about five times in a row, had a brief chat with two guys who were watching the Canada-Russia game and saw one set of fingers making hand puppets.  Contrary to my previous experience with web cams way back in the late 1990's – and frankly what I was expecting here – every second person wasn't trying to show me their penis which was nice.  Perhaps if I was female?)

So it's not all people freely exposing expressing themselves as you might expect – there's humour, love and even puppets!  Oh, and you might see the occasional vagina as well.

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[2010-03-05: The Daily Show adds their hilarious take on ChatRoulette.]
[2010-03-15 – Piano Improv ChatRoulette is pretty funny.]

FTRW 2010 – Hitler and the Public Domain

German copyright law grants an author copyright for 70 years after their death.  Hitler died in 1945 so that means “Mein Kampf” will enter the public domain in that country in 2015.  Or will it?   

There is a well-known German law banning the dissemination of Nazi ideologies which was put in place after the fall of the Third Reich.  Germans (including many Jewish groups) claim that this law trumps any right the infamous work has to freely enter the public domain.  Opponents counter that the diaries of Goebbels and Himmler are easily available in Germany already (as is Mein Kampf for anyone with an Internet connection). 

German scholars want the work to enter the public domain so they can prepare an annotated version of “Mein Kampf” for 2015 while the government fears that Neo-Nazi groups would prepare their own propagandized version. 

Libraries get a mention in the linked article as well. 

“Stephan J. Kramer, secretary general of the Central Council of Jews in Germany
in Berlin, said the publication of “Mein Kampf” continued to split the
Jewish community in Germany, with many Holocaust survivors opposing its
publication. “I have the highest respect for this opinion, but on the
other hand I’m saying very openly: The copyright is going to be waived
anyway. It’s a matter of time before the book is available in shops and
libraries,” Mr. Kramer said.”

I've already discussed my own early exposure to Mein Kampf on this blog and I'm pretty sure it's clear what side of the debate I'm on – it is Freedom to Read Week after all!  (I should do a post and try to list which books I think *should* be banned, if any.  That'd be a fun challenge.)

FTRW 2010 – Music Monday "Listen, little girl, it's near the hour…I've got the righteous power"

So yeah…

I was trying to think of a good clip to feature for Music Monday now that it's Freedom to Read Week.  I thought about posting Elvis' infamous early Milton Berle appearance which led to him only being filmed from the waist up when he later appeared on The Ed Sullivan Show.  But that's pretty tame by today's standards – sort of like how people still want to challenge “Catcher in the Rye” because the words “heck” and “gosh-darn” are in there.

Then I remembered a song I heard when I first moved into college dorms – pretty much fresh off the farm at 17 – when the most rebellious music I knew was Def Leppard. 

I actually didn't even hear the song from the shock rock outfit, the Mentors (and until about five minutes ago, had never heard it.)  Instead, a a floormate quoted some of the lyrics to me and they have been seared into my brain ever since.

Still, that famous line about “I may not agree with what you say but I'll defend to the death, your right to say it” applies here.  It has to because if it doesn't, freedom of expression is absolutely meaningless. 

I'm actually nervous about hitting the “Submit” button this post because this is some pretty disturbing stuff and people always confuse the defense of something with an endorsement.  But ultimately, that's what Freedom of Expression is about.  I am not going to run out and buy a Mentors CD (probably – unless I need to shock some other sheltered small town kid!) but some people do and did.  Some people went to their shows.  As long as there's nothing illegal happening, that's completely within their rights – the band's rights, the fans' rights and according to the Canadian Charter of Rights and Freedoms, that's within anyone's rights (as is your right *not* to click through to any lyrics or music I link to in this post.  And trust me, the lines I quoted in the title of this post are pretty much the only two lines in the song that I felt comfortable doing so!)

I'll save you the pain and link to a clip of the live version of the song where the lyrics are hard to understand (here's a link to the album version of the song for the braver souls among you – I won't censor but I will warn you that you can't un-hear this song once you hear it!)

[Edit: I forgot to bring it back to Elvis the Pelvis like I originally wanted to.  One of the strongest anti-censorship arguments that I know is to compare the comments made by people who were disgusted by Elvis with those who were/are disgusted with Eldon Hoke below – “filthy”, “depraved”, “sick”, “demonic”, etc.  Notice something?  They're the exact same words!  To me, that shows that the people who hated Elvis in the 1950's are the exact same type of people who hated Eldon Hoke in the 1990's – even though those same anti-Hoke people in the 1990's probably liked Elvis, took family vacations to Graceland and will shell out for the new Cirque du Soleil Elvis show the next time they're in Vegas.  So to me, it's *really* important to keep in mind that it's all very relative.  Something that offends me today (and Eldon Hoke definitely comes really close!) will probably be a Broadway show that Pace goes to see with his family in thirty years.]

FTRW 2010 – Ban This Book!!!

It's extremely rare that you'll hear me advocating for a book to be challenged.  But as my former classmate (and published author) Corey Redekop asks in his post on this year's Freedom to Read Week celebrations: “could you challenge me? Call a
library and demand that I be taken off the shelves? Nothing sells a
person on a book like a little controversy.” 

So if you want to help out a fellow librarian, go to your local library this week and put in a challenge against “Shelf Monkey”.  It could actually be fun – like a banned book flash mob – and since Corey's book has censorship as one of its central themes – it'd be a perfect fit. 

Hmmm, I started this post with my tongue firmly in cheek but I'm talking myself into this…I think it'd make a really good statement about censorship if a book that is firmly against censorship had a bunch of challenges during Freedom to Read Week, especially if they all used the same reason.  Something like “This book is wrong with its theme that censorship is wrong.” 

It's a bit of a conflict of interest (or at least potentially awkward) for us public librarians to do this at our home libraries.  So hopefully you academic librarians out there pick up the torch (or we in public libraries could put in a challenge of Corey's book at a neighbouring town – that would work too!) 

FTRW 2010 – Saturday Snap – Freedom to Read Week Begins Tomorrow!

Freedom to Read Week beings tomorrow.  Flickr has lots of photos (including displays from libraries around the world) to get you in the mood!  Plus you might even happen across a library colleague who bears a striking resemblance to a young Malcolm MacDowell in his FTRW shoot!

Friday Fun Link – Code Organ (February 19, 2010)

A web site that allows you to “play” the HTML of any web site.   This isn't as straight-forward as it sounds…

The CodeOrgan analyses the “body” content of any web page and
translates that content into music. The CodeOrgan uses a complex
algorithm to define the key, synth style and drum pattern most
appropriate to the page content.




Firstly, the CodeOrgan scans the page content and removes all
characters not found in the musical scale (A to G), and then analyses
the remaining characters to find the most commonly used “note”. If this
is an even number the page is translated into the major pentatonic
scale of that particular note, it becomes minor if there is an uneven
number.




Secondly, the CodeOrgan defines which synthesizer to use. This is based
upon the total number characters used on the webpage – there are
currently 10 synthesizer effects and the one chosen is picked based
upon the percentage of content.




Lastly, the CodeOrgan selects a drum loop based upon the ratio of
characters on the page versus the number of characters that are
actually musical notes – there are currently 10 different drum loops to
pick from.


Here's my blog.

Here's the RPL web site.

Here's Google (which sounds like something you might hear if Lawrence Welk provided the soundtrack for your dad's old 8mm home movies.) 

[Edit: And I had to see if this sounded like bow-chikka-bow-bow (pretty close!)]

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